Daniel Eatock is a designer with a practised eye, able to switch from big bucks corporate and media branding - the Big Brother Eye, for example - to micro scale personal works that present an unvarnished view of the world. Eatock’s work is also bound up in his website, Eatock.com, which solicits photography from like-minded individuals around the world.
The book chronicles a series of often personal, always conceptual projects that blur the line between art and commercial design. Written and arranged by the man himself, Imprint succeeds in depicting the diverse, scattered nature of his work.
Austrian sociologist Otto Neurath was a seminal Modernist figure. Much attention has been given to his achievements in the fields of graphic design and philosophy (Neurath was a member of the Vienna Circle, founder of the Museum of Society and Economy, inventor of the ISOTYPE pictorial system and champion of the Unity of Science movement), yet his involvement with urbanism and architecture has been all but ignored. From 1931 onwards, Neurath collaborated with the International Congress of Modern Architecture and its chief exponents—Cornelis van Eesteren, Sigfried Giedion, Le Corbusier and Laszlo Moholy-Nagy—to develop an international language of urban planning and design. More experimentally, throughout the 1930s a fascination with visual media led to an attempt to franchise the Museum of Society and Economy by establishing international satellite museums. This volume contains a text by curator and writer Nader Vossoughian, which offers a fresh perspective on one of the most versatile intellectuals of the twentieth century.
More than half of the graphic designers in the U.S. are women, yet they are less likely to be invited to speak at conferences or to offer expert opinions to the media. Their award-winning work is seen everywhere, but with few exceptions, they are not celebrated in the same way as their male counterparts. Women of Design explores this contradiction while at the same time shining a light on the work of women designers, both industry veterans and influential newcomers. By asking the handful of female design stars to identify other talented women, then asking those women to suggest more still, Women of Design creates a web of influence and excellence that proves these women are worthy of attention.
“More and more information is being visualised. Diagrams, data and information graphics are utilised wherever increasingly complex elements are present, whether it is in magazines, non-fiction books or business reports, packages or exhibition designs…On 256 pages, Data Flow introduces a comprehensive selection of innovatively designed diagrams. This up-to-date survey provides inspiration and concrete solutions for designers, and at the same time unlocks a new field of visual codes.”
Publisher Weekly: "Offering highlights from the Maresca collection of photographs housed at the Newark Musuem, each of these anonymous, care-worn photographs provides a potent glimpse of America between the 1920s and ’60s, long before throw-away digital photography rendered amateur picture-taking less deliberate, more ephemeral….not only a tour-de-force social document of the 20th century, but also a testament to the power of even the most amateur of photographers to capture and preserve a singular moment of long-forgotten life. "